You run operations at a mid-sized distributor, or you sell software to people who do. Something in your data just moved. Maybe detention times at two ports doubled in a quarter, or your customers started switching carriers faster than they did last year. You know this is a story. The question is how to get it in front of the reporters at Supply Chain Dive without being filed under vendor spam.
Supply Chain Dive is part of Industry Dive, a group of trade publications built around daily newsletters for specific professional audiences. Its readers are supply chain managers, logistics directors, procurement leads and the executives they report to. They read it to learn what changed in their industry before it lands on their desk as a problem. If you want to know how to get featured in Supply Chain Dive, start there: the publication exists to tell operators what changed and why it matters to them. Your pitch has to do the same.
What Supply Chain Dive covers

Read a week of the newsletter before you write a word. Nothing about how to get featured in Supply Chain Dive matters more than knowing what it already runs. You will see a pattern. Stories cluster around freight and transportation, warehousing and fulfillment, procurement and supplier risk, trade policy and tariffs, labor, and technology adoption. Most stories are short, news-driven and anchored on a specific event: a company announcement, a regulatory filing, an earnings call comment, a dataset release.
What you will not see much of is product coverage for its own sake. A new feature in a transportation management system is not news to this audience unless it changes something operators measure. A warehouse robotics deployment can be news if it comes with throughput numbers, labor implications and a named customer. The difference is whether a reader could take the story into a Monday meeting and use it.
The publication also runs deeper pieces: explainers on regulation, trend stories that pull together several data sources, and features built on interviews with practitioners. These are where outside sources matter most. A reporter writing about rising freight claims needs someone who processes claims every day and can say what changed, with numbers.
Who decides what runs?
Industry Dive publications are staffed by reporters who own beats, with editors who shape the daily newsletter. The masthead lists who covers what. Your job is to find the reporter whose recent stories overlap with your news, read their last ten pieces, and write to them about something that extends what they have already covered.
This sounds obvious, and most pitches still skip it. Muck Rack’s State of Journalism 2026 found that 43 percent of journalists said relevant pitches were rare, and 70 percent named clear relevance to their beat as the thing they value most. A reporter who covered last-mile delivery for two years does not want your pitch about procurement software, no matter how good it is. Send it to the person who covers procurement.
Reporters at trade publications also move between beats and between titles. Check bylines from the last month, not the last year. A stale media list is the fastest way to waste a good story.
It also helps to read the newsletter the way the editor builds it. Each edition leads with the story the team thinks matters most to operators that morning, then runs shorter items below. Notice which kinds of stories make the lead slot. Most weeks they involve a large shipper, a major carrier, a regulator or a dataset that changes how readers plan. That tells you the bar. If your news would only ever be a short item, pitch it as a data point a reporter can fold into a bigger story rather than as a stand-alone piece.
The Four Freight Angles

After reviewing the kinds of outside contributions that show up in supply chain trade coverage, we sort workable pitches into four angles. We call them the Four Freight Angles. A pitch that fits none of them is almost always a product announcement in disguise.
The first angle is the moving number. You have data that shows something changing: costs, lead times, error rates, carrier performance, supplier concentration. The data has to be yours or properly licensed, collected over a meaningful period, and large enough that a reporter can describe the sample in one sentence. “Across 4,000 shipments our platform tracked in Q3, average dwell time at the two largest West Coast ports rose by a third compared with Q2” is the shape that works. Fill in your real figures and method.
The second angle is the operator reaction. Something happened in the news, and you can explain what operators are doing about it. A tariff change, a port labor dispute, a carrier bankruptcy. Reporters covering these stories need people who can say “here is what our customers changed in the last two weeks,” with specifics. Speed matters. This angle works within days of the news, not weeks.
The third angle is the named customer story. A company changed how it runs part of its supply chain, and it will go on the record. The story has to include before-and-after numbers and a person with a title who will talk to the reporter. Vendor case studies without a customer voice rarely run. With a customer voice and real figures, they can become a feature.
The fourth angle is the plain explainer. Some topics are confusing to the audience: a new customs rule, an emissions reporting requirement, a change in how a major carrier calculates surcharges. If you have a specialist who can explain it in plain language, offer that person as a source for the reporter’s own explainer. You are not writing the piece. You are making the reporter’s piece better and faster.
Build the pitch around operator data
Whichever angle you choose, the pitch itself should be short. Muck Rack’s survey found that 69 percent of journalists prefer pitches under 200 words and 62 percent prefer a one-to-one email. Here is a structure that fits inside that.
Open with the finding in one sentence. Follow with two sentences on method: where the data came from, how many records, what period. Add one sentence on why it matters to the publication’s readers, framed as a consequence for operators. Offer the source: a named person who can talk, with their role. Close with what you can send, such as the full dataset summary or a chart, and stop.
Do not attach large files. Do not paste a press release below your note. Do not use phrases like “industry-leading” or “next-generation.” Supply chain reporters read these all day and they register as noise. Specific numbers and named people are the only things that register as signal.
Timing matters too. Seventy-eight percent of journalists in the same survey prefer pitches before noon. For a newsletter-driven publication, early morning in the reporter’s time zone gives them the full day to decide whether to chase it.
One more point on who decides: Industry Dive titles run opinion pieces at times, but they are a small share of output and come with their own rules. Treat them as a later step. Your first goal is to become a source a reporter quotes, because quotes in news stories reach the full newsletter audience and carry the publication’s credibility rather than your own.
A worked example, start to finish
Here is how the moving-number angle looks in practice. The company and figures below are illustrative, so swap in your own, but the structure is the one we coach clients to use.
Say you run a freight audit and payment platform. Your team notices that accessorial charges, the fees carriers add for things like liftgates, detention and residential delivery, have grown as a share of total invoice value for three straight quarters across your customer base. You have invoice data from a few hundred shippers. That is a story, because accessorials are a cost line most shippers underestimate and few public sources track.
The subject line names the finding: “Accessorial fees rose to a larger share of LTL invoices for the third straight quarter.” No adjectives, no company name. The first sentence of the email repeats the finding with the actual figure. The second and third sentences give the method: the number of shippers, the number of invoices, the period covered, and how you classified charges. The fourth sentence explains the consequence for readers, such as budgets built on base rates missing a growing slice of real cost. The fifth names your head of data as available for an interview that week. The last line offers a one-page summary with a chart.
That email is about 130 words. It gives the reporter everything needed to decide in under a minute. If the answer is yes, the reporter will ask for the summary and the interview, and will likely call one or two other sources to check whether your trend matches what they see. Expect that. A trade reporter who verifies your data is doing the job, and a finding that holds up under that check is the kind that gets you called again.
Two things would sink this pitch. The first is hiding the method. If you cannot say how many records you looked at and over what period, the reporter cannot use the number. The second is tucking a product plug into the finding, such as “which is why shippers need automated audit.” Let the reporter draw that conclusion, or not. Your platform’s name will appear in the story as the source of the data, which is the placement you wanted in the first place.
What to send after a no
Most pitches get no reply, and a non-reply is not a no. One follow-up, three to five business days later, with a single new piece of information is reasonable. A new data point, a customer who agreed to talk, a fresh development in the news. Do not send “just bumping this.”
If a reporter does say no, ask one question: is there a type of data or source they are looking for on their beat this quarter? Some will answer. That answer is worth more than the placement you lost, because it tells you what to build next. Over six months, a supply chain company that keeps sending one solid, data-backed pitch a month to the right reporter will usually earn a citation. If you take one lesson on how to get featured in Supply Chain Dive, make it this: coverage at a trade publication like this one is less about a single big hit and more about becoming a source the reporter trusts to have numbers when the next disruption lands.