In November 2023 I decided I wanted a column. Not a one-off byline, not a guest contribution. A standing column with a recurring publication date, my photo at the top, a section landing page with my name on it. The kind of placement that becomes a moat for the brand because you cannot be displaced by a competitor’s quarterly press release.
I pitched nine outlets. The first eight said no. The pitches were not bad; the publications either had a hiring freeze on contributors, had recently shut down their contributor program (Forbes did this in October 2023), or just did not see a fit. The ninth pitch went to Inc. Magazine. The editor wrote back within four hours and said, “Send me three sample columns by Friday and we will talk.”
I sent the samples. Two weeks later I had a contract for a biweekly column. The pieces ran for 14 months. The byline drove qualified inbound for the business at a rate I had not seen from any other PR placement in 8 years of doing this work. The column was worth roughly $200,000 in attributed pipeline over those 14 months. The total time investment was 4 to 6 hours per column, biweekly, plus 30 hours of upfront pitching. That math, $200K in pipeline for under 200 hours of work, is why landing a column matters more than chasing one-off bylines for most B2B operators.
This is the playbook for how to get a column in a publication, drawn from that experience and from the dozens of column placements we have helped clients land at Instant Press since.
What a column actually is and is not

A column is a recurring publication slot with editorial expectation of regular content delivery. The cadence varies (weekly, biweekly, monthly), the wordcount varies (800 to 1,800 typically), and the byline format varies (under “Contributor,” “Columnist,” or just your name with a recurring section link).
What a column is not: it is not the contributor program, where the publication accepts unsolicited submissions and runs whichever ones their freelance editor likes. Forbes, Inc., Entrepreneur, and a handful of others ran (or still run) these. The contributor program is closer to a publishing platform than a column. You get a byline, but you do not have a defined slot.
A real column is closer to a freelance contract. You agree to file on a schedule. The publication agrees to run your piece in a defined section. You get editorial support. You get the brand boost. The editor expects you to show up.
This distinction matters for the pitch. If you pitch a column thinking it is the same as a contributor program, you will sound naive and the editor will pass. If you pitch it as a freelance contract, you sound like a professional and the editor will engage.
The five column types editors actually buy
Editors do not buy “I want a column about my industry.” That is a topic, not a column. They buy specific column formats that match a slot in the publication’s editorial calendar. There are five formats that consistently work.
Format one is the playbook column. “Five tactics from a [role] who [specific accomplishment].” Inc., Entrepreneur, and most of the practitioner-focused publications love these. The reader walks away with something they can implement on Monday.
Format two is the contrarian-takes column. “Why every founder is wrong about X.” Fast Company, Wired, and the more opinion-driven publications buy these. The risk is sustaining the contrarian voice over 20 columns without becoming tedious or predictable.
Format three is the data column. “I analyzed 400 [data points] and found X.” Harvard Business Review, MIT Technology Review, and the data-heavy trades all buy these. The bar is high; the editor needs to trust your methodology.
Format four is the inside-baseball industry column. “What [specific industry] insiders are talking about this week.” Industry trades like Modern Healthcare, AdAge, and Information Week prefer these. Requires deep ongoing access to the industry’s grapevine.
Format five is the practitioner-Q&A column. “I help [audience]. Here are the three questions I got this month.” This one is great for advisors and consultants whose business is built on advice work.
Pick the format that matches your existing material. If you already write contrarian Twitter threads, format two is natural. If you publish quarterly industry surveys, format three. If you advise clients all day, format five. Trying to write a format that does not match your existing work is the surest way to flame out at column 4 or 5 because you cannot sustain the production.
The pitch that landed Inc.
Here is roughly what I sent to the Inc. editor in November 2023.
“Hi [editor name], I run a PR firm called Instant Press that places founders in Inc., Forbes, Entrepreneur, and similar outlets. I see roughly 200 founder pitches a year. I want to write a biweekly column for Inc. on what founders consistently get wrong about media coverage. Each piece would be 1,200 words, would include 2 to 3 specific examples from named companies (with permission), and would propose a fix the reader can implement immediately. Three sample column topics: (1) the press release format that actually gets pickup in 2024, (2) why most B2B founders pitch the wrong outlets, (3) the five-sentence email that gets editors to reply. I can ship the first column by December 15th and hold a biweekly cadence after that. Happy to send three sample drafts if useful.”
Four hours later: “Send me the three samples by Friday.”
The pitch worked because it (a) defined the slot specifically (Inc.’s founder audience, biweekly, 1,200 words), (b) gave the editor a sample of the column types up front so she could imagine the section, (c) proposed a cadence she could measure me against, and (d) offered samples without making her ask twice. Most column pitches fail on the second point. They describe the writer’s expertise instead of describing the column the publication will run.
What to ship as samples
The editor asked for three samples. I sent three columns of 1,100 to 1,300 words each, fully edited, with the byline and contributor bio formatted as they would appear in print. I did not send drafts. I sent finished pieces.
Two of those three samples ran as actual columns later. The third did not run because the topic became stale, but the editor remembered the writing style and gave the column a green light on the basis of the sample quality.
The principle: if you cannot produce three real, finished sample columns before the contract starts, you cannot sustain a biweekly column for 12 months. Editors know this. The sample submission is the audition. Treat it as such.
The economics of an unpaid column

Most B2B columns in 2026 are unpaid. Inc., Entrepreneur, Forbes (when their program is open), Fast Company contributor program, almost all of the trade publication columns. The publication’s argument is that the byline is the compensation; the brand boost and inbound traffic you get is worth more than a $200 to $500 per-piece fee.
For most B2B operators, the math works. A 14-month column at biweekly cadence produces roughly 26 pieces. Each piece, if shared properly on LinkedIn, X, and email, drives qualified inbound. My column produced an average of 8 to 14 inbound emails per piece, roughly 250 to 350 inbound conversations over 14 months. At a 4 percent conversion rate to paid engagement, that is 10 to 14 customers. At our average customer value, the math worked.
For consumer brands or personal brands where the column is the primary distribution channel, the math may not work without payment. Negotiate. Tier-1 outlets can be persuaded to pay $300 to $1,200 per piece if you have a strong sample portfolio and a clear value proposition.
How to keep the column once you land it
The most common way a column ends is the columnist falling behind on cadence. You file your December piece, January is fine, February you slip a week, March you miss entirely, April the editor stops scheduling you. The column dies of inattention.
Set up a recurring calendar block 5 days before each filing deadline. Write the piece in that block. File 2 days before deadline. Never miss. After 12 to 18 months of perfect cadence, you become “low-friction” to your editor, the kind of contributor she defends to her own boss when budget cuts come. That is the trust position you want.
The other failure mode is repeating yourself. After 15 columns, you will start to feel like you have said everything. Resist the urge to recycle. Instead, develop a list of 40 to 60 column topics in advance and pull from it. When the list runs short, do reader Q&As, interviews with named experts in your category, or industry data deep dives. The well does not have to dry up; you just have to refill it deliberately.
Landing a column is a multi-year compounding asset. Most operators never get one because they do not pitch like professionals. The ones who do, the ones who treat how to get a column in a publication as a discipline rather than a hope, end up with the kind of distribution that competitors cannot copy. The byline becomes the moat. Then it becomes the brand.